Site Responsive Sonic Art

Best Paper Award | NIME2020

Lauren Hayes and her co-author Adnan Marquez-Borbon, Universidad Autónoma de Baja California (UABC) have been awarded the Best Paper of...

The paradigm of enactive music cognition offers an anti-representational framework for understanding musical activity as both corporeal...

New publication in Interference Journal: This paper discusses the ongoing research project Sounding Out Spaces which explores...

Lauren Sarah Hayes will headline the Thursday concert at Electric Spring 2019 with a piano+electronics piece and a solo live electronics...

PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...

Feb 13, 2019

AME 494/598 Site-Responsive Sonic Art class visits the Engineering anechoic chamber!

Apr 5, 2018

PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...

Feb 1, 2018

Hayes, L. and Stein, J. 2018. Desert and Sonic Ecocsystems: Incorporating Environmental Factors within Site-Responsive Sonic Art....

Mar 10, 2017

From Site-specific to Site-responsive: Sound art performances as participatory milieu Lauren Hayes DOI: https://doi.org/10.1017/S13557718...

Mar 2, 2017

Sounding Out Spaces has been accepted for the Ars Bioarctica residency. The Finnish Bioart Society is the motor behind Ars Bioarctica...

Oct 23, 2016

We have received a City of Tempe / ASU Partnership Grant for our project Sounding Out Spaces, which explores the idea of site-responsive...