Best Paper Award | NIME2020
Lauren Hayes and her co-author Adnan Marquez-Borbon, Universidad Autónoma de Baja California (UABC) have been awarded the Best Paper of...
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New Publication: Improvisation, Interdisciplinarity & Enactive Music Cognition
The paradigm of enactive music cognition offers an anti-representational framework for understanding musical activity as both corporeal...
Investigating Autopoiesis In Site-Responsive Sonic Art
New publication in Interference Journal: This paper discusses the ongoing research project Sounding Out Spaces which explores...
Electric Spring 2019!
Lauren Sarah Hayes will headline the Thursday concert at Electric Spring 2019 with a piano+electronics piece and a solo live electronics...
MOOGFEST
PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...
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- Mar 26, 2018
Enactivism: Theory and Performance
Had a fantastic time at the University of Memphis, Philosophy Department, presenting a poster at Enactivism: Theory and Performance. Many...
- Mar 26, 2018
Brain on Art Conference Documentation
Some documentation from the 2017 International Conference on Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and...
- Mar 11, 2018
The Ammerman Center for Arts and Technology 16th Biennial Symposium
The aim of the symposium, now in its thirty-second year, is to create a forum for multidisciplinary dialogue at the intersection of arts,...
- Mar 11, 2018
Haptics, Touch & Somatics Workshop at UCSB
Jessica Rajko & I presented our research on haptic technologies and touch through a workshop at the 2018 Alliance of Women in Media Arts...
- Feb 21, 2018
Transference V
#performance #electronicmusic
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