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Best Paper Award | NIME2020
Lauren Hayes and her co-author Adnan Marquez-Borbon, Universidad Autónoma de Baja California (UABC) have been awarded the Best Paper of...
New Publication: Improvisation, Interdisciplinarity & Enactive Music Cognition
The paradigm of enactive music cognition offers an anti-representational framework for understanding musical activity as both corporeal...
Investigating Autopoiesis In Site-Responsive Sonic Art
New publication in Interference Journal: This paper discusses the ongoing research project Sounding Out Spaces which explores...
Electric Spring 2019!
Lauren Sarah Hayes will headline the Thursday concert at Electric Spring 2019 with a piano+electronics piece and a solo live electronics...
MOOGFEST
PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...
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Mar 11, 2018
The Ammerman Center for Arts and Technology 16th Biennial Symposium
The aim of the symposium, now in its thirty-second year, is to create a forum for multidisciplinary dialogue at the intersection of arts,...
Mar 11, 2018
Haptics, Touch & Somatics Workshop at UCSB
Jessica Rajko & I presented our research on haptic technologies and touch through a workshop at the 2018 Alliance of Women in Media Arts...
Feb 21, 2018
Transference V
#performance #electronicmusic
Feb 1, 2018
New Publication: Site-Responsive Sonic Art
Hayes, L. and Stein, J. 2018. Desert and Sonic Ecocsystems: Incorporating Environmental Factors within Site-Responsive Sonic Art....
Feb 1, 2018
Haptic Workshop @ LOOP Berlin
Some images from From Finger-Tinglers to Bass Shakers – Vibrotactile Haptics for feeling sound workshop at LOOP Berlin, Friday 10...
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