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Best Paper Award | NIME2020

Lauren Hayes and her co-author Adnan Marquez-Borbon, Universidad Autónoma de Baja California (UABC) have been awarded the Best Paper of...

The paradigm of enactive music cognition offers an anti-representational framework for understanding musical activity as both corporeal...

New publication in Interference Journal: This paper discusses the ongoing research project Sounding Out Spaces which explores...

Lauren Sarah Hayes will headline the Thursday concert at Electric Spring 2019 with a piano+electronics piece and a solo live electronics...

PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...

Jessica Rajko & I presented our research on haptic technologies and touch through a workshop at the 2018 Alliance of Women in Media Arts...

Mar 11, 2018

#performance #electronicmusic

Feb 21, 2018

Hayes, L. and Stein, J. 2018. Desert and Sonic Ecocsystems: Incorporating Environmental Factors within Site-Responsive Sonic Art....

Feb 1, 2018

Some images from From Finger-Tinglers to Bass Shakers – Vibrotactile Haptics for feeling sound workshop at LOOP Berlin, Friday 10...

Feb 1, 2018

Some images from A Sense of Touch: Haptics in New Musical Instruments panel at LOOP Berlin, Friday 10 November, 10:30-11:45am,...

Dec 2, 2017