Best Paper Award | NIME2020
Lauren Hayes and her co-author Adnan Marquez-Borbon, Universidad Autónoma de Baja California (UABC) have been awarded the Best Paper of...
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New Publication: Improvisation, Interdisciplinarity & Enactive Music Cognition
The paradigm of enactive music cognition offers an anti-representational framework for understanding musical activity as both corporeal...
Investigating Autopoiesis In Site-Responsive Sonic Art
New publication in Interference Journal: This paper discusses the ongoing research project Sounding Out Spaces which explores...
Electric Spring 2019!
Lauren Sarah Hayes will headline the Thursday concert at Electric Spring 2019 with a piano+electronics piece and a solo live electronics...
MOOGFEST
PARIESA will participate in several events this year at MOOGFEST! Solo performance: Lauren Sarah Hayes Workshop on Haptics, Sound &...
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Mar 29, 2023
MA Research Candidate Patty Preece to present at NIME!
Congratulations to Patty Preece, based at CQUniversity Australia, who will present her work on Oscillations: Composing a Performance...
Mar 7, 2023
TIMARA / Oberlin Visit
"Over the past few weeks, the TIMARA department has had the pleasure of hosting two highly esteemed guest artists. Lauren Sarah Hayes, an...
Mar 1, 2023
Lauren Sarah Hayes in Chicago
We’re incredibly excited to welcome Scottish electronic musician and composer Lauren Hayes in to Chicago to perform on the Elastic stage....
Oct 25, 2022
Never Fully What It Is...
Never Fully What It Is: Transfeminine Experience Through Digital Sound by Reyna Poonawala Barrett Honors Thesis & Performance The full...
Aug 5, 2022
New Chapter in The Body in Sound, Music and Performance
Hayes, L. 2022. Why should we care about the body? On what Enactive-Ecological Musical Approaches have to Offer. In L.O’Keeffe & I....
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